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ZAYDE COMES TO LIVE

TRADE REVIEWS:

 

Booklist: Starred Review (Issue date: November 15, 2012)

There are many books that help a young child cope with death, but this is a particularly moving one—and it’s surprisingly direct about how different religions view the subject. The narrator’s grandfather, Zayde, has come to live with Rachel’s family because he’s dying. Rachel and he still try to play together, but he is tired. Rachel worries what will happen to him when he dies. Her friend Megan says Zayde will go to Heaven—if he believes in Jesus. Hakim says there are milk-and-honey rivers flowing in Paradise, but he must believe in Allah. “But we do not. That’s because we are Jewish.” So Rachel asks the rabbi what will happen: “He’ll take one last breath . . . Then his energy will live on with your ancestors in the World to Come.” Rather than a nebulous visual, illustrator Swarner depicts this as family dancing in a circle of love, against a blanket of stars. And Zayde, too, tells her he is at peace and that he’ll live in her love and memories. And, as she snuggles next to her grandfather, Rachel realizes that as long as there is life, another memory can still be made. The artwork, linoleum prints touched with watercolor and colored pencil, focus on the family, but juxtaposed are falling leaves, and star-swept skies that add depth. Although this reverberates with the beliefs of a particular religion, the emotions and message transcend. — Ilene Cooper

 

   Publisher’s Weekly: Starred Review    (Issue date: 10/15/12)

Rachel learns that the impending death of her grandfather—her zayde—doesn’t have to be tragic in this beautiful and accessible tale that gives expression to many children’s fears about dying. Now that her elderly grandfather has moved in with her family, Rachel sees firsthand his waning energy and confused moments, and is worried about where he will go when he dies. When her Christian and Muslim friends provide answers that don’t suit Rachel because she is Jewish, the rabbi explains that “his energy will live on with your ancestors in the World to Come.” Her zayde, too, helps her understand that there can be peace and completeness in death. Sinykin hits just the right balance of communication and reassurance with her storytelling, as does Swarner with her endearing and soothing illustrations. Children will relate to Rachel’s concerns and appreciate the comforting and positive messages relayed in a story that takes on a difficult and important subject. Ages 6–10. (Oct.)  

 

School Library Journal (Issue date: October, 2012)

    PreS-Gr 1–Rachel’s grandpa has come to live out his final days with her family, and the girl worries about what will happen to him next. Predictions from her non-Jewish friends don’t quite fit, but she is satisfied when her rabbi says that Zayde will join his ancestors and points out that the man is living until the moment he dies. Rachel focuses on making a few final memories and treasuring Zayde’s remaining time. 

    There are many stories for young children about grandparents passing away, but this one is unique in that it centers on the time leading up to death instead of its aftermath. The beautifully sensitive storytelling comforts readers by showing the inevitability of the circle of life in the context of strong family love. Although the book is aimed at Jewish audiences, the emotions ring true universally.  

    Swarner’s gentle, softly colored linoleum prints suit the story perfectly, both in the household scenes and the spiritual ones. The artist has illustrated Howard Schwartz’s Before You Were Born (Roaring Brook, 2005), an excellent companion piece to this story. Pitch-perfect text and illustrations combine to create a story that will touch readers’ hearts.-Heidi Estrin, Congregation B’nai Israel, Boca Raton, FL  

Kirkus Reviews  (Issue Date: September 1, 2012;  Online Publish Date: August 8, 2012)

    Though many parents tend to shield their young children from the realities of terminal illness, this picture book looks at death through the concerned and loving eyes of a child who begins to understand the concept behind the "circle of life."

    When Zayde comes to live in Rachel’s house, it is “because he is dying.” Watching him sit and sleep day and night in a sleeper-chair with an oxygen tube, Rachel instinctively knows that he is close to death and begins to question where he will go after his last breath. Megan says he will go to heaven, and Hakim says he will go to Paradise , but Zayde's Jewish; is there a place for him? Through this question-and-answer text, listeners are told of the inevitability gently, with Zayde’s acceptance and feelings of “shalom,” peace and completeness, and the rabbi’s explanation of “Olam Ha-Ba,” the Jewish belief in the “World to Come.” Most importantly Rachel learns that memories carried in family stories will keep her grandfather alive in her heart. Sinykin does a commendable job of dispelling fear with empathy and tenderness through some very direct yet positive answers to a child’s uncertainty. Linoleum prints created with watercolors and colored pencils in muted tones reflect a spiritually calm and sometimes whimsical ambiance, matching the text’s gentle tone.

    Though Rachel's quest takes place within a Jewish context, her emotions and situation are near universal, and this artful book handles both well. (Picture book. 5-10)

 

AJL Reviews (American Jewish Libraries) (Issue Date: November-December, 2012);  Online Publish Date: August 8, 2012

http://www.jewishlibraries.org/main/Portals/0/AJL_Assets/documents/Publications/newsletter/reviews-nov-dec-2012-final.pdf (page 11)

Sinykin, Sheri. Zayde Comes to Live. Illus. by Kristina Swarner. Atlanta: Peachtree, 2012. 30 pp. $16.95.

(9781561456314). Reviewed from an advance reading copy. Ages 5–9.

This lovely story exemplifies the concept of “bibliotherapy,” as it attempts to help young Rachel deal with her grandfather’s impending death. Rachel’s Zayde has come to live with her family, for he has grown infirm and weak. She realizes that he is dying and wonders where he will go when he dies. She asks everyone she knows—her friends, her rabbi, her Zayde—but no one has the perfect answer. Her friends introduce her to Christian and Moslem concepts of death, which Rachel knows are not right for her and her Jewish family. Megan assures her that Zayde will go to Heaven but first he must believe in Jesus. Another friend, Hakim, says that Zayde will go to paradise, but first he must believe in Allah. Eventually, Rachel finds a way to make peace with the reality of her Zayde’s death, as well as comfort and acceptance with the concept of Olam HaBa, the world to come. The lush illustrations have a dreamlike quality that perfectly embellish this story. While the publisher’s blurb describes the book as touching, it is rather searing and painful and may be too intense for a child to read independently. Recommended as a read-aloud and helping book, with adult guidance.

Shelly Feit, Moriah School Library, Englewood, NJ

 

 

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GIVING UP THE GHOST  

Kirkus Reviews (September 15, 2007):

     Equal parts psychological realism and supernatural thriller, this story about living in the present and conquering fear has teen appeal in spades. Thirteen-year-old Davia Peters and her family travel to a plantation home in South Louisiana to care for Davia’s great-aunt Mari as she dies of cancer. The family’s task is even more difficult than one might expect given the fact that Davia’s mother has recently come through her own harrowing battle with the disease. To make the situation even tougher, Aunt Mari asks Davia to befriend the plantation’s ghost, a girl Davia’s age named Emilie. Davia somehow finds the courage to get to know Emilie, and ultimately, the exchange of their most painful secrets proves to be exactly what each girl needs most. Sinykin’s simple, straightforward prose can be read by those as young as nine, but the subject matter—disease, death, arranged marriage and suicide—makes this title more appropriate for older readers. A good choice for reluctant teens. (Fiction. YA)

Booklist (Anne O'Malley):

For Davia, the summer before eighth grade would not be the usual routine. Instead, she travels to the deep South with her parents to help a great-aunt through her final illness. Even at death’s door, Aunt Mari is a force to be reckoned with, to say nothing of her strangely haunted estate near New Orleans. Mari fixates on Davia, sharing some secrets of the family’s tragic past and challenging the girl to grapple with the wandering ghost Emilie. When Emilie is at rest, Mari can expire peacefully. That’s a tall order for 13-year-old Davia, who is both terrified and fascinated by the cantankerous Emilie and holding her breath as her own mother recovers from cancer. Death permeates every nook and cranny of Sinykin’s haunting tale, yet Davia persists to face her fears and engage Emilie, in some ways her alter ego. The two have a way of releasing the sorrows that bind their lives. What emerges from the process is peace and hope. Grades 6-8 

Children's Literature  (Amie Rose Rotruck):

Davia has already dealt with her mother having cancer. Now in remission, Davia’s mother goes to take care of her dying Aunt Mari, bringing Davia with her. Aunt Mari lives on an old plantation that has a lot of history . . . and ghosts. Aunt Mari tells Davia to help Emilie, a girl from the nineteenth century who died when she was only thirteen, Davia’s age. Davia has a difficult time getting over her fear of ghosts, but once she gets used to Emilie’s presence, she finds the ghost to be rather unpredictable. Aunt Mari cannot die peacefully until she knows Emilie is at peace as well. This story is less about ghosts and more about death and how people can chose to face it for both themselves and loved ones. Davia learns to take joy in memories and family history, and Sinykin manages to convey the message without being trite. This is a very thought-provoking story that inspires readers to treasure their loved ones, living or not.

KLIATT Review, November 2007 (Vol. 41, No. 6) (Janis Flint-Ferguson): 

It’s a hot, steamy day as Davia and her parents arrive at Great-Aunt Mari’s house in the Louisiana bayou outside of New Orleans. Davia’s mother is in remission from cancer and now, Aunt Mari is dying of cancer. Mom wants to spend time with Aunt Mari during the final weeks. Davia, however, is afraid--she fears for her mother’s health. Mari is a demanding patient and so Davia is encouraged to find her own entertainment. While walking near a deserted old plantation house, Davia is startled by a young woman her age, dressed in white and obviously a ghost. Later, Davia and Mari talk about the history of the old plantation and the ghost who does indeed wander the property. Of course, nobody believes Mari, but she enlists Davia to help the ghost rest in peace. The novel includes a realistic look at death and dying. Within the story of Aunt Mari’s death is information on what to expect and how to comfort the dying. Through the story, death may become less frightening for YA readers, and questions will arise from the realistic tone and informational passages. Category: Hardcover Fiction. KLIATT Codes: J--Recommended for junior high school students.

VOYA, December 2007 (Vol. 30, No. 5) (Jenny Ingram):

 

Thirteen-year-old Davia travels with her parents to her family's ancestral plantation in Louisiana to help care for her dying great aunt, Mari. Upon arrival, she learns that the plantation is haunted by the ghost of a thirteen-year-old relative, Emilie, who died in the nineteenth century. Davia, a timid girl who has struggled with her mother's recent treatments for cancer, demonstrates to her skeptical parents that she is able to cope with Mari's impending death, and she quickly gains the trust of her aunt, who from her sickbed assists Davia in putting the ghost of Emilie to rest. More than a ghost story, this book serves as a guide for teenagers experiencing illness and death in their families, and hospice and its volunteers play a large role throughout. The backstory of Emilie and the forced marriage that drove her to suicide provide enough suspense to keep the reader captivated, but the descriptions of Mari and her deterioration drive the book. Sinykin successfully blends essential information about the process of dying with a fictional narrative that could be useful for teens facing similar circumstances in their lives. For that reason, the book will appeal to a specific audience only. VOYA CODES: 3Q 2P M J (Readable without serious defects; For the YA with a special interest in the subject; Middle School, defined as grades 6 to 8; Junior High, defined as grades 7 to 9).